"Brothers, think of what you were when you were called. Not many of you were wise by human standards; not many were influential; not many were of noble birth. But God chose the foolish things of the world to shame the wise; God chose the weak things of the world to shame the strong." (1 Corinthians 1: 26-27)
Photo: Northern Soul Dancers
"In less than a quarter of a century, the idea of dancing to someone playing records had evolved from a bizarre experiment in a Yorkshire working men's club to an intricate world of nightclubs, DJs, and music.
"This world had matured more rapidly in the UK than the US -- maybe because Britain seems to invest far more energy in its youth culture, which is somehow more accepting of outside novelties and is usually energetically downmarket in its social make-up. While the cafe society were twisting in New York's Peppermint Lounge, the kids doing the same dance in the Lyceum were clerks, apprentices and shop girls. Perhaps it's because Britain is a nation based on duty, a country of subjects not citizens, that its young people expend so much effort in trying to escape, but it's herethat club culture was built, even if the records which filled it were from across the Atlantic. As the pages turn on the DJ's story, you'll see that Britain made him a home, while America gave him his music.
"The connections between the two countries have always been strong, and one theme has a particular resonance -- the passionate romance between white working-class kids in the UK and black music made in America. Perhaps the connection is work, perhaps it's the refusal to defer pleasure. If you were black and American you sang about pay day, you waited for the eagle on your dollar to fly. If you were British and working class, you just said Ready Steady Go, the weekend starts here." (p. 79)